New Scientist November 9 2010
"Who will see me, and how long will my image be stored?" you may wonder. No answers are provided. And while interacting with these installations is fun, it is hard to ignore the parallels with the intrusions of security cameras and the feelings of powerlessness that they engender.
The Independant November 5 2010
Our own petty lives have been transformed into a theatre of ever shifting electronic possibilities. We feel unnerved, diminished, troubled, excited.
Financial Times (ft.com) September 17 2010
It’s a show that seems, superficially, to be about technology but which makes you acutely conscious of your physicality. But though you may feel awkward, there’s no need to feel shy. The ghosts in these machines are just people.
guardian online (guardian.co.uk) 17 September 2010
Mexican-Canadian electronic artist's exhibition perfectly embodies his idea that the crowd is the key to art
guardian online (guardian.co.uk) 17 September 2010
Adam Gabbatt meets Rafael Lozano-Hemmer, arguably the world's most famous electronic artist
Wired (wired.co.uk) 20 September 2010
Lozano-Hemmer's overarching focus is on technologies used to record our data but, unlike CCTV, have been given some sort of executive power. His attention is drawn by computers making choices, one example being the border control technologies programmed to scan for (and raise suspicion of) particular ethnic groups in the wake of 9/11.
Creative Tourist (creativetourist.com) September 16 2010
As the Mexican-Canadian electronic artist Rafael Lozano-Hemmer put the finishing touches to his new solo show at Manchester Art Gallery, he took a few minutes to talk to Jonathan Schofield
Run Paint Run Run October 11 2010
Recorders reminds you of your humanity, simultaneously evoking your biological uniqueness and your puny organic commonness, like a kindly robotic overlord. This exhibition is delightful, if you are not too serious about art or technology.